Franz Kafkas The Metamorphosis :: Metamorphosis essays

The transfiguration The metabolic process is the story of a commercial traveler, Gregor Samsa,that superstar morning awoke turned into a gigantic insect. It is no dreambut, simply and plainly, a real metamorphosis with no blandishment inbetween. Facing this incredible fact, Kafka does not do any pictorialconcessions and keeps the new condition of the character to the end.That makes of The metamorphosis a hard pass of fictionalization, in the way ofOdyssey (with which, besides, it is closely related) or in the way ofthe medieval fairy tales, specially those in which the wicked witchturns The Prince Charming into a hideous animal. From the other side, the work, that belongs to a trilogy about joinin simile to the individual, the family and the so-ciety written byKafka, has a highly autobiographical contain. In The sentiment thesubject is the engagement assumed as a treason to the literary callingin The metamorphosis there is a view of marriage and family comparisonsfrom a ma sochistic and incestuous perspective in The Trial, it is the closing of accounts, related with the incapacity of accomplishing theacquired compro-mises, according to an unwritten law, he must pay. Inthe three cases, the story ends with the protagonists death. The Metamorphosis is built on a fiction level with two looks, Crime andPunishment by Dostoevsky and Venus in Furs by Leopold von Sacher-Masoch,superposed in a way they get in edge with a real level with two facestoo, the family relations and his dreams of Felice. By the encounter oftheses two levels, Kafka gets a fantastic reality which allows him toexpress his deepest dreams and desires in relation with marriage and sexin a poetic language that turns The Metamorphosis into a classic oferotism, aspect not considered until now. (Such a pleiad, Kafka, Sacher-Masoch and Dostoesky, met in The Metamorphosis turns into a height ofmasochism this work). PART ONE The Metamorphosis has three split the first one describes both thetra nsformation of Gregory and his familys reaction to this respect the bite part shows the new cotidianity of the fami-liar group whosefragile estability crush with Gregory and sis-ters bringing face toface and the last part, where we attend Gregorys frustrated attemp ofreconquering his sister, ends with his death. The foreground onto which Kafka builds his work is Dostoevskys novel.This one brings to him a textual base that he lightly, mainly throughsubstitutions, varies for adapting it to the intentions of his give birthstory. For the first part of The Meta-morphosis, Kafka takes three